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Internet Explorer 6

August 6th, 2009

I read this article (http://www.cnn.com/2009/TECH/08/06/internet.explorer.six/index.html) this morning as a headline on CNN. Now, many people wonder, why IE6? So anti-Microsoft, are we?

The problem is not Microsoft – IE7 and IE8 are extremely well developed browsers. The problem is that IE6 is built with a different engine to render website code. So, CSS that works well in Firefox, IE7, and other browsers looks like shit in IE6. It hinders many developers from being able to do amazing codes because they know their users will have the most dreaded environment in which to view the website.

CSS is the language hurt the most by this browser. The same code for IE7 will look completely different in IE6. It’s often a problem that you cannot build fully CSS sites because of this, but that means that they are not fully web 2.0 standard compliant.

The workaround has been for years to “hack” CSS. An if-then condition is created to redirect the user’s browser to have to use a different CSS from other users. It ends up making the site less dynamic and structured.

The problem is when you work for a corporate environment or design a site for such. It’s really hard to believe that a company of 50,000 will make their employees update to a browser. I doubt they will even know if the browser becomes no longer supported by HTML 5.

So what do you do? Can Microsoft make all IE6’s turn off? I doubt it. I fear we’ll be programming for IE6 until 2020.

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Waffle House – It needs no marketing?

August 6th, 2009
The beacon of light for the drunk and illiterate

The beacon of light for the drunk and illiterate

I was driving home tonight when this thought hit me: Everyone knows what a Waffle House is. Everyone recognizes its brand from far away, on the highway, especially when completely hammered. Since its inception in 1955, the logo has remained basically unaltered. How is it that a business needs no updating? Or even still – do you ever see marketing for Waffle House? It needs none. And why is this brand so solid that nothing can essentially touch it?

The website of Waffle House isn’t web 2.0 compliant. Its content isn’t up-to-date, which makes me think that they do nothing in way of trying to keep people coming back to the website. I never see commercials or brochures. They rely solely on either word-of-mouth or expecting people driving on the interstate to see the huge yellow sign and decide to eat.

What makes them a company who needs no marketing? I would say it is in their target demographic. Who eats at Waffle House, especially during the night hours? Truckers and really drunk people. This means that their standards are already set pretty low, as there are several people who refuse to go to WH on unsatisfactory hygienic conditions. These are assumed to be the people who are ignorant of the visual communication in the world and cannot be driven by the same factors that other companies target consumers for. Coca-Cola can be shared by several ages, several races, several monetary categories. WH, however, assumes that it brings in the poor and the dregs. These are the people who may be so drunk they cannot read a menu, so they point at pictures of what they want.

So, WH is successful, methinks. If they attempted to try and market themselves as a higher class establishment, I think it would fail. It would be putting makeup on a pig. But it’s just so odd that they never even tried (or if they did, I was not alive to notice).

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Gills Sans – the next Helvetica

August 3rd, 2009

I love typefaces. I really do. It gives me no better pleasure than to be able to identify a font by looking at the letterforms. Even the dreaded Helvetica, that over-used font of the visual world, is popular today for a reason. It is multi-purpose, well designed, and sleek and modern.

But as designers tend to stray away from anything over-used and trendy (we have to set the trends), I’ve noticed that a new font is replacing Helvetica in the forefront for the “go-to” sans-serif — Gill Sans. Now, as Gill Sans originated in England, the British people have been bombarded with the typeface in their culture, from BBC’s logo to the railway system (here is a good article on the two most famous British type faces and a comparative study: http://www.typotheque.com/articles/re-evaluation_of_gill_sans). However, if you look around in America, you can slowly see it infiltrating everywhere.

I’m starting to see Gill Sans used in storefronts, prescription medicine commercials, massage brochures, you name it. I am wondering if the people doing this are really graphic designers, or marketers who are doing some publishing? Are the designers the ones to blame for this overuse? Maybe.

I will note that Gill Sans takes its form in a large part from the earlier humanist forms (like Johnston, its distant cousin) along with the more modern geometric forms — it is this mix of history and modernity that is just one of the many reasons that makes Gill so special in many designer’s hearts.

I am afraid, however, of the misuse and abuse of the font, since it is now packaged as a system font. Please, especially if you are not a designer, do not use this font. I do not want it to become a typographic “no-no”, like when professors tell you to not use anything with a city name or Helvetica itself.

Sometime a typeface is just appropriate for a situation, no matter how much you don’t want to use it. So, I will get over it and still use Gill Sans as much as I can.

Look at that g!

Look at that g!

 

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